Why do voices sound different when recorded on video?
How come every time I record myself on video my voice sounds a total different? It is squeaky and deep! Some people say that it sounds like a steroid girl voice, and others say that their voice is different on video and moine sounds fine and kind of the way I really talk, but it does not! All camcorders are similar, or just some? Why do they have voices sound way different? Should I use one of these shotgun microphones or boom mics for now, or should I find a better camera? Is Hi-Def cameras any good to incorporate a better sound? Please answer me, I need to know. Thank you! : 3
When you speak, you hear your voice through to your bones, as a direct vibration that makes it sound deeper. When recorded you hear voices other people hear when you speak.
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Videos explodes across the Internet. Some go viral, and some, let's face it, are viral. Many of us are doing our videos public for the first Started ... while wild camcorder work attracts attention, it's good to have some control over when it is game, and when not.
Sound, or "sound" is a different story if it's bad, it's just bad. If your audience can not hear the person speaking, they are just to click on "next". When people using a video camera being involved in what they shoot, (even those with some experience), the first thing they forget is healthy. Sound accompanying video has a great influence on the perception of the audience, but when you're shooting a scene, you are a part of this scene. Your brain tends to drown out the sounds that appear as normal until watching the playback later. So, Ooops!
The following article is excerpts from our book "How To Shoot Better Home Videos - help from Hollywood Pros." We hope it helps eliminate bad camcorder video!
Shhhhhhh! The audience is listening ...
No Talking!
It may seem that the "goes without saying" but ... not talk, laugh or gasp while recording, unless you consciously are commenting on the scene. mouth is two inches from the microphone. Anything you say can and will be used against you. Once you've learned to limit your enthusiasm enough to shoot in silence, you can begin to train yourself to hear sounds underway around you. It's not just enthusiasm, which can draw attention to the camera operator - shuddering sigh of boredom can bring the viewer's attention to a halt especially if it is accompanied by an unexpected camera movement that feels like a huge wave just rolled under the boat.
Hearing your surroundings
If there is a large air conditioner and you have control over it, turn it off. If there is a highway traffic outside the room where you shoot, get a "cutaway" shot by highway, through a window. (A "Cutaway" is a shot of an item that may or may not be a part of the scene, but contains information helpful to the audience). When the audience knows why the sound is there, they will find it less disturbing.
Example:
You can shoot an outdoor wedding and crows suddenly start to make a ruckus. Get a shot of the crows, you will be less inclined to spend hours unsuccessfully trying to remove the screaming of the crows from the "soundtrack" (soundtrack that comes with the video) when you begin editing the ceremony.
Microphones
The "microphone" these instruments can transform sound waves into electrical current, which is built into consumer camcorders are very good for general health. They are very reliable. If you got good picture, you get sound. But they are very limited when it comes to interviews, acting scenes, and important conversation.
The farther away you are from the person whose words you consume, the more general audio microphone will rise. It will also remove any air conditioning and engine can be humming away, including a desktop computer.
When you buy the camcorder, be sure your camcorder has an external microphone jack. This is an input, usually a "mini-jack," which takes an external microphone if you want to use it to record clean sound, such as interviews or narration. Many cameras are now being built without them, and audio capture is limited to the built microphone. This could really limit the usefulness of your sound. If you have one of these cameras, trying to shoot as close to your subject as you can to remove unwanted atmosphere (normal sound generated by the place where you shoot).
Video cameras and other electronic devices makes so many things that a person is inclined to believe it will do the simple things, too. When we visit the Sales Associate in the camera department, we always ask: "What is it that this camcorder does not?"
Besides the built-in directional microphone (which picks up sound from all directions), you will have two types of extra microphones in your home video arsenal, provided you have purchased a camcorder with a microphone jack. The first and most important is the shotgun. This is a microphone and the cardioid version (with a heart-shaped pickup pattern) is designed to reduce Feedback. This means that the pickup pattern of the MIC will collect it from the camera subject on whom it is pointing, but sounds occurring at a right angle is greatly reduced. This resulting in much higher sound quality.
The second type of microphone is known as a lavaliere (lah Vah laughs), submit it to the speaker's clothing and is perfect for interviews, so have a couple of them is a good idea. The wireless "Lavsen" or "low microphones" is the most useful, but it is important to listen to the occasional radio interference. The Corded type are much cheaper and okay for sit-down interviews.
Headphones:
Now that you have some control over the audio, you will want to "monitor" it with headphones. Any will do, but better, the more useful they will be, and those that block noise coming from places other than the video camera is preferable.
When you are monitoring the sound with a headset, you can listen to air conditioners, dogs barking, radio noise, and all other sounds that distract from the sound recording. It is good to remember that there are at least 2 sound recordists on serious films set (brace person and the actual recordist). A catch-phrase in professional video production says: "If you do not get the sound you do not get the scene."
Lawrence Benedict is a seasoned Hollywood videographer, Apple Certified Editor/Trainer, and published author. His previous book is still found for sale on the Web – “The Video Demo Tape – How to Save Money Making a Tape that Gets You Work.” Computer Video Maker Magazine gave The Video Demo Tape their top rating of 5 stars, and an “Excellent” classification. Larry and his partner, Lea, are delighted to announce the Grand Opening of EZLearnBooks - http://www.EZLearnBooks.com - your destination for unique and painstakingly concise instructional books on specialty subjects. Their first selection is titled, "How to Shoot Better Home Videos - Help from the Hollywood Pros." Not only does this book help you ensure the preservation of precious family memories, it is the perfect guide to producing outstanding videos for YouTube, MySpace, or your own website and emails. Come see us at http://www.EZLearnBooks.com Any comments or suggestions you may have will be appreciated!
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