that makes the DV camcorder name speed digital japan & with systerm has the best video quality CCD or CMOS?
Video quality depends on how sophisticated CCD or CMOS is.
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Tagore in China - An exclusive interview
A walk under the belly of Shanghai's bustling Yan'an Road a cool evening around two years ago led Bivash Mukherjee, man behind Gurudev: A trip to the Far East, a highly informative documentary on Tagore's lifelong bond with China to a wonderful discovery that culturally connects China and India a century ago. In an exclusive interview with Inchin Closer , Mukherjee discusses the life, times and influence of Asia's first Nobel Laureate had over the Chinese community at that time.
Inchin Closer: Tagore is the most translated foreign poet after Shakespeare in China today. He continues to inspire modern Chinese. How did Tagore's literature cultural influence the Chinese society then and now?
Mukherjee: I have no way to confirm that works Rabindranath Tagore is the most translated here for Bard, but I know that the Chinese, big and are avid readers of books, periodicals, newspapers - anything under the sun.
Tagore first arrived in China in the summer 1924th It was an official trip after an invitation from Liang Qichao, a reformist and one Confucian scholar at the time which led Beijing Lecture Association. But the visit also came under one of the most turbulent periods in China. From May fourth movement that began in 1919 was at its peak with regular debates about East vs West, modernism towards tradition. This was a conflict - sometimes violent - with students and intellectuals, who leads the way to a certain extent shape the history of modern China. It was also a way to understand China even ... about why it reacts as it does - and quite strongly.
The ensuing clashes of ideas and disaster marked the beginning of the emergence of the Chinese Communist Party.
Tagore was perceived as a good many intellectuals as an opponent of modernism (read Westernization) and supporter of traditional values and culture, and ran into opposition during his trip. We know now it was far from true.
Tagore was well-traveled man and so the best and worst of both worlds. His Pan-Asian view incorporates the best of the west, but ethics is largely Asiatic. Not only India, China or Japan, but a united Asia, which he felt could stand up to the dictates of the dominant Europeans of the time.
Tagore's trip was the classic case of, as a Chinese professor told me to be on the wrong location at the wrong time. That he is still read, discussed and admired, despite the hostility his trip, says much about how influential Tagore has been in modern China. I was also told that his books did rounds during the Cultural Revolution, which offers a hint of hope in these troubled times.
Tagore's arrival in China also gave an impetus to the new wave poetry / writings, which was in its infancy then. Everyone needs an inspiration and Tagore's visit just spark. Xu Zhimo (In picture above with Tagore) is among the writers who are closely associated with Tagore. Then Xie Bingxin so good. Her writings in fact covered an era - From the 1920s to 1990s.
In recent times, I can think of Zhao Lihong, who is now vice president of the Shanghai Writers Association. He has openly talked about Tagore's influence in his writings.
I hear now that a new generation of translators working to bring out of his collected works in 28 volumes. While his earlier works have been translated from English and Hindi, this time they are working from the original - in Bengali. So from 1915 or 1916, when he was first translated in Chinese to the current 2010 and beyond - it is quite span, is not it?
Besides books and articles, it is encouraging to see Tagore is quoted freely on Chinese blogs and internet forums here. They are largely young audience and a large part of blogging has to do with matters of the heart or those with a spiritual bent of mind. Many of them also write / discuss about the controversy of his visit. I read one of the blogs - again, a person in the late twenties - who wrote that "it would be a foreigner tells us to preserve our culture against European domination, while we were fighting with each other ... "
I also believe much of that influence has to to do with his Asian-ness. His love of all things natural, childish, spirituality ... they could easily identify with him. So, yes, he ruled over them and continue with that ...
Inchin Closer: What was Tagore's idea of a united Asia?
Mukherjee: The doctrine was simple: Asia for Asians. A pan-Asian continent, which was free from Western influence. Tagore had said that Asia must find its voice. It was based on a vague definition of universal humanity, while defending the ideals east. While the idea was quick to catch on it was full of divergent views. The common binding concept was to oppose to Western hegemony and to build an Asian synergy. But Tagore with his Brahmo Samaj views China with its Confucian traditions and Japan with its military power was the least likely to to find common ground. It was an idealized idea that was doomed to failure.
Worse, which was to lead it at all? While Pan Asianism had a glow of spiritual and religious spirit of India, Japan, it is assumed to be its military power, especially after his victory over Russia in the Russo-Japanese War. Even Japan's expansionist policy in Asia had brutally China and Korea and Tagore was obviously disappointed by it.
But come to think of it, the pan-Asian concept was probably not completely utopian. If it success stories of modern ASEAN, AFTA and other trade blocs to be seen, it clearly worked to disseminate ideas regionalism. The idea was regional development and it seems to work now.
Inchin Closer: What was the Crescent Moon Society and how did it affect China?
Mukherjee: It was Cambridge-educated Xu Zhimo and his literary circle of friends who formed a casual dinner and discussion salon named after Tagore's book of prose poems The Crescent Moon. Members are generally paid five renminbi per month, which allowed them to eat, drink, read, meet, discuss, or just play pool.
Xu wrote some of his thoughts in a poem that opens with the line: "There are times when our little patio ripples with infinite tenderness."
Xu lived make a colorful life. He finished his early education at Peking University and traveled to the USA for further studies. Compare the American "intolerable", he moved to Cambridge University in England in 1920, which is where he "Fell in love" with the English romantic poetry Keats and Shelley. It was also here in England that he discovered Tagore for the first time, and sought common ground later with other Asian writers.
Xu returned to China in 1922 and introduced the "new wave" of modern poetry that fused western parts of the romanticism of classic Chinese poetry. Xu, who was the official translator of Tagore during his trip to China, took place a little flak from modern thinkers of his dominant theme of love, beauty, energy and his contempt for conventional morality.
Tagore stayed at the Xu house twice in Siming Village in Shanghai. This house no longer exists but there is a plaque on wall, which makes special mention of Tagore and Xu and other celebrities who once lived there.
His death at the young age of 36 in 1931 in a plane crash - he had published accounts past of his love for "Flying" - stumped development of modern Chinese poetry.
Prof. Tan Chung, who was bought for Santiniketan by Tagore establish Cheena Bhavan, said that Xu's death cut short a career with great poetic talent. If he had lived as long as many of his contemporaries had survived, his role in the history of modern Chinese literature would have been greater than what is known. So also: Tagore's influence on China's new poetry would have been more pronounced than what is known. "
In Xu Zhimo, Tan writes, there was a mini-version of Tagore.
"Rich, talented, romantic, exposed to progressive ideas, but do not throw into political activities. Not unlike Tagore in his young days, had Xu Zhimo tender feelings for fellow human beings were prone charm of Nature, but understood that make the best of material life. He was a potential Chinese Tagore extinction in its formative phase of ill fortune. "
Inchin Closer: What tells you to do this documentary Gurudev? Can you describe some of the major points in your discovery of the Sino-Indian relationship through research documentary?
Mukherjee: It just happened. Originally all my research - Internet, books, Shanghai Library and Shanghai Archives, Chinese blogs - all aimed to write a feature story on Tagore in Shanghai and China, which I did for my paper Shanghai Daily. I thought up on a short film after this. I felt I had enough material to create a very short - or could be a music video - with one of the Tagore songs. It was all still fuzzy in the mind. It was around this time while working on the editing table that I realized I had enough material for a short documentary film. My colleague Qin Xu helped me enormously with local translations and arrange meetings with writers and professors in this Shanghai. Armed with my digital camcorder - the kind of thing you see with tourists everywhere - I went around meeting and interviewing people. It worked. They were all happy to talk. A good 60 percent of the movie is old footage and still images, so there was very "cinematic" work to boast of. It is a simple, straight story. It is more informative than creative.
For me, honestly discover a plaque with the name of a famous Indian personality in a small nondescript lane in Shanghai filled me with the first - Surprise, and then astonishment and pride. I picked it up from there. The film is just a little work of this feeling. A bit amateurish stuff, but then again I was not hoping to make any money out of it. It will remain with me and my friends. I'm just glad that I delved into something that was all new to me. Meeting the 91-year-old translator Wu Yan created strong emotions. He said that he would get up around 4 in the morning and translate a section on the day and then dwell on it all day. He was so happy to see us. For him it was a confirmation from afar and appreciated it very much. It was a sense of fulfillment for him as well ...
Inchin Closer: To improve India-China ties, we read each other's literature. What we know about each other's literature?
Mukherjee: It Tagore was quite well known in China was something I was always aware off. During one of my trips to the seven-storey Shanghai Bookstore at Fuzhuo Road way back in 2000, I realized how much Tagore meant for them when I saw one of his giant paper cut-outs on the wall alongside other literary figures like Bertnard Russell and Lu Xun regarded as the father of modern Chinese literature.
While Tagore has been well recorded this, read and re-read and well received, I would also like to see the Chinese get to read other known Indian authors as well. RK Narayan, Munshi Premchand comes to mind immediately. I somehow feel that the Chinese will take them very well. I asked some of the Chinese here if they had read any other Indian writers. They shot off names as VS Naipaul, Salman Rushdie etc. but they had all read them in English and not Chinese. But then again, I do not think we've probably read much about Lu Xun. At most, we see Sun Tzu is quoted quite a lot from his epic The Art of War. That's about it.
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About the Author
INCHIN CLOSER is a comprehensive professional services consultancy that offers multinational clients support prior to and post incorporation in both India and China. Created to improve the understanding, of and between the two most dynamic countries of our generation, Inchin Closer works across sectors with companies, trade bodies, educational institutions and organizations to Bring India and China closer.
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